Werner Dütsch Movies

In BLUE-EYED, we join a group of 40 teachers, police, school administrators and social workers in Kansas City - blacks, Hispanics, whites, women and...

Excerpts from the novel Donna di Messina (1949 and 1964, 1967) by Elio Vittorini (1908-1966).

Home movies shot on Super 8mm by W+B Hein over 10 years.

Documentary film about the perception of physical disability in Germany, from National Socialism to the present day.

In Italy, immediately subsequent to the war, a group of people who lost all they possessed during the conflict, settle in a village in ruins. They...

Interviews with six of the mass murderers from Sabra and Shatilla. The faces are in black and are not identifiable.

An experimental film portraying different skies in very long takes.

Scientific documentary film exposing the cencorship laws in the BRD as an instrument used for propaganda. Its the third part of the "Bundesdeutsche...

Documentary about the first German foreign deployment of German soldiers in Kosovo since the Second World War in 1995.

Documentary film about a journey on the Trans-Siberian Railway from Moscow to Vladivostok.

Historically, the cinema close-up was initially employed to convey emotions through facial expressions. But soon filmmakers also began focusing their...

A look at how mall producers design malls in order to maximise traffic and sales.

German TV Documentary for WDR about Fritz Lang

Helmut Färber makes connections between architecture and film

How should one define the relationship of documentary film to reality? Does it aim at authenticity or is it rather an “exile of reality”,...

Using one of the Lumière Brothers' first films of workers leaving the Factory as his starting point, Farocki provides an insight to changes in...

The film documents a debate about early 20th century films, mainly 1910 to 1920, from short news reels to excerpts from full-length movies. At...

Film scholar Helmut Färber discusses Griffith' A CORNER IN WHEAT.

What venture capital or VC for short actually means is explained in the film itself. Banks only lend money against collateral. Those who have none...

An introduction to films by Peter Weiss: "Study II" (1952) "Study IV" (1954)" According to the Law" (1957) "Shaded Faces" (1956 ) "What should we do...